Light and dark, good and evil, the use of delicate, impermanent material to create scenes that evoke immortality.
I opened up her portfolio today to learn and write about her, but it feels unfair to try because it’s hard to speak about her work without also explaining the history of a nation.
Near-future, speculative fiction set in the wake of environmental holocaust.
We can’t pretend to know what the world has in store for us when we reach out and smile at it, not knowing what we’re reaching towards. I have heard […]
I’m guilty, as most of us are, of sometimes behaving like I’m the most important person there is. The positive side to that is it can manifest as the desire […]
On the surface, Lisa Wolfin is an international artist, but based on my dabbling in the higher mysteries I expect she may also be something of a werewolf. Wait, though; […]
What is the greatest joy of writing for you?
The sensation of flying. When I’m really involved in the story and am outside of my ego enough that…
I was born at home, and the midwife asked my mother what my name was going to be. She had arrived at a number of fair and elegant names for […]
We tend to sound like a lot of other people before we learn to sound like ourselves. A large part of learning to write, personally, has been the experience of […]
Anyone can drop a line in the water and hunt for fish. Those who work at it, and spend enough time doing it learn how to fish well. They learn […]